“I’ve tried being cautious,
I’ve tried being shrewd
Arousing suspicions,
Without any clues
Of my own invention,
I have no excuse”
“Come to Realize” – Prong
Funny how my last post was influenced by something someone posted on social media and this one was inspired by something that I posted on social media… Of course, I doubt much of what follows will make much sense to those that weren’t at the game on Tuesday night (who says pre-season games are uneventful?), but please bear with me
As most people are aware, the upcoming season will once again see a lot of changes from what has gone before. As much as the retirement of Jon Hammond was announced during the off season, most of us only discovered on the evening of the first pre-season game that regular match night DJ’s Marvin and Gabrielle wouldn’t be returning to their position within the match night team (I’ve no idea why and to be honest it’s none of my business, but the news created the usual rumour, paranoia and speculation on social media)
To me personally, this news was on par with Jon Hammond hanging up the yellow jacket and microphone for the final time. As I mentioned in a Facebook post, I’ve many fond memories of how Marvin presented the music on match nights, both in the early days of Storm at Altrincham and Phoenix before. Similar to Jon Hammond, I felt he made a hard job look very easy and obviously enjoyed every second of what he did. There were little touches like choosing songs with some initially obscure reference and humour, playing “Hallelujah” when a player finally left the ice after taking longer than necessary at the end of warm-up, etc. Upon becoming ill, his daughter Gabrielle had taken over, normal service continued and she did a fantastic job (I doubt many would have even noticed the difference apart from a slight move towards more modern music)
So in the space of the off season, we have two huge changes to match nights along with talk of a “new direction” with regards to the music. One of the amusing things is the different ways this make-over was interpreted on Tuesday evening. Going through social media, I’ve seen it described as everything from “top 40 crap”, “80’s retro night”, “student disco” – and that’s just from the people that could hear it due to first night technical issues
As mentioned previously, most of my night is spent (possibly over) analysing the atmosphere as I’m looking for the moment to either help get it going or build on it. As a result and as the game progressed, I noticed that many of the songs played resembled the playlist of new sponsor, Manchester radio station “Real XS”. This brought to mind a tale I had heard many years ago, back when said station was called “106.1 Rock Radio”. At one of their Manchester Ritz Christmas parties, the story goes that Mike Sweeney (ask your parents), a DJ that I always felt would have been much better suited to a “60’s Gold” station rather than one playing Classic Rock, managed to kill the party atmosphere stone dead in the space of seconds when he took his turn in the DJ booth and started to play The Beatles. With this in mind, I took the opportunity to add 2 and 2 together, come up with the answer “potato” and was under the impression that in much the same way that presenters from a local dance station had become involved in the match night presentation during the arena days, someone from Real XS was now in charge of playing the music (isn’t hindsight wonderful?)
Taking that into consideration, I speculated that the afore mentioned “new direction” would mean an emphasis on playing predominantly Manchester bands, possibly as part of forming some kind of new “identity” (which to a certain logic I guess would make some kind of sense). My evidence? Thinking back to hearing Joy Division “Love Will Tear Us Apart” after a fight and Morrisey in place of the usual “Always Take the Weather With You” on the way out. Maybe it was just me, but there was also the way that it felt slightly more “forced” than usual . People of a certain age (and said group I’m willing to wager will consist almost exclusively of males) will know and remember of the “sacred art of creating a mix tape”, and (being a self-confessed sad music geek) I’d imagine that constructing a match night music playlist works in a similar way, only with songs selected on the fly. For the benefit of those that don’t know what a “mix tape” is (kids today, eh?), the following is a passage from the excellent “High Fidelity” by Nick Hornby:
“To me, making a tape is like writing a letter – there’s a lot of erasing and rethinking and starting again. A good compilation tape, like breaking up, is hard to do. You’ve got to kick off with a corker, to hold the attention and then you’ve got to up it a notch, or cool it a notch, and you can’t have white music and black music together, unless the white music sounds like black music, and you can’t have two tracks by the same artist side by side, unless you’ve done the whole thing in pairs and… oh, there are loads of rules.”
Hopefully that makes some sort of sense to the uninitiated (what do you mean “Yeah, whatever grandad”? Now get off my lawn! (Thanks Richard 😉 )
The above resulted in a slightly opinionated, ill informed tweet criticising what had gone the night before. Of course, in my pre-caffeinated state, a moment wasn’t put aside to think that possibly the whole thing may be a “work in progress” (and lets face it, if you’re introducing new things and ideas, pre-season is the perfect time to put them to the test, in much the same way that first thing in the morning isn’t exactly the perfect time for slightly opinionated, ill informed tweets. Wonderful, wonderful hindsight again)
I’ll bet that one of the problems facing someone playing the music at a Hockey game is that, judging from comments on social media, some will only be happy hearing their own personal soundtrack on match nights. This really comes to light on that common subject that crops up on team forums – “What should the match night music intro be?”. Like any self-respecting music fan, I absolutely cannot stand Nickelback (just kidding! Well, the first bit anyway), but I’ll be first to admit that the thankfully vocal-less version (just kidding again. Well, maybe half kidding) of “Burn it to the Ground” that Phoenix used for a couple of seasons worked as well as say, that Foo Fighters song that the Steelers use (a song that I can never remember the name of. As much as people tell me what it’s called every time I mention how I’ve forgotten the title, and how I have the uttermost respect for Dave Grohl, I really don’t like his music. Sorry). Both have the perfect tempo for clapping along too and are just the right side of making some noise without descending into the musical niche enjoyed by scruffy longhairs such as myself. I guess what people have to realise is just because they like something doesn’t mean that everyone else does, or more importantly that it will work. Amongst many other sub-genres, I’m a fan of early 90’s Swedish Death Metal but I don’t expect to hear Entombed at the rink for example on any given night. Well, not unless they need to evacuate the building in a hurry
There’s also the question of balance. Obscure songs by some small band are great if they work within the context of the game, but to be crowd friendly, most people want to hear songs they recognise. One of the many things I struggle to understand is why when radio stations host a “request show”, a majority of the music played are songs that already feature on the daily play list. I presume that people just want to hear what they’re familiar with, no matter how many times they’ve heard it before (I went to see Slash at the Manchester Apollo a number of years back and actually groaned when he started to play “Sweet Child o’ Mine”. Sadly, a true story)
Another factor is playing music to what is happening on the ice. As mentioned above, I guess I wasn’t alone in scratching my head when following a fight that had got the crowd going, the song choice was by Joy Division. At this point, I thought that maybe it was one of Marvin’s “joke songs” in how “Love Will Tear Us Apart” was related to two players that had just attempted to knock seven shades of good-for-the-roses out of each other (benefit of the doubt on that one 😉 )
Wild speculation time. If the idea is to go for a match night that leans heavily on Manchester music, this is (in my slightly-biased-music-and-atmosphere-geek opinion) something that may need a bit of care. From my own (admittedly slightly limited knowledge and experience), some of the more famous Manchester music from an average punter perspective isn’t exactly, shall we say, uplifting? To use the “Swedish Death Metal” comparison again, I’m a fan of The Sisters of Mercy but I doubt even their most upbeat tracks would fit particularly well in a Hockey atmosphere (If the idea about “Playlists from bands of your city” is true and the trend continues, I suppose that if I want to hear “This Corrosion” within the confines of a Hockey arena, I guess I’ll have to wait until the new Leeds rink opens sometime in the next millennium)
It’s a known fact that people genuinely fear change, so when you add together that Jon had gone and there was a significant shift in the playlist to a combination of Real XS and more modern music, whilst at the same time dropping a lot of the songs that people had become familiar with over the past couple of seasons, you can see where there was a point to be made (in a tactful manner), but I’m sure that over time, it will all come together. Maybe there’s the view of do you remove a sticking plaster gradually or tear it off quickly in one movement? Sure, it was a bit of a shock to the system on the night, but I’m of the understanding that not only is it very much a work in progress, but there was also an equipment malfunction that resulted in it being a case of playing whatever music would actually play, rather than through choice (hence the absence of crowd-favourite “7 Nation Army” for most of the game, and whilst we’re talking examples of songs that work over songs that you like, there’s one I could gladly never hear again, but it works in getting the crowd going, so who am I to argue?)
When you consider all the above, it doesn’t sound so bad does it? I know it’s an all too common thing to hit the “Panic Button” at the first available opportunity, but in this case, maybe it would be worth leaving it until, say maybe the first game of the regular season before worrying and crying “won’t someone please think of the children?”, although I’m almost certainly sure that the match night crew would always appreciate creative feedback, suggestions and ideas
Of course, much of this was written by someone that takes their music fandom to anally retentive levels (to quote Denis Leary “You see that scar on my wrist? You see that? You know where that’s from? I heard the Beegees were getting back together again” (a joke that admittedly worked slightly better in the early 90’s when it was originally written, although if they were to reform now, it may actually be worth seeing) so has seen it as an excuse to blog about my two biggest passions (as well the opportunity to apologise for possibly coming across as a bit of an opinionated arse on social media)). I can tell the posts that have been the easiest to write as they’re usually the ones completed at around 5am, putting a bout of insomnia to good use)
With all the above in mind, if we are going to feature a Manchester music influenced playlist, can someone please draw the line at Mick bloody Hucknall